THE loss of the ancient songs of Armenia is especially regrettable at this point, because they concerned themselves mostly with the purely national gods and heroes. The first native writers of Armenian history, having no access to the ancient Assyrian, Greek, and Latin authors, drew upon this native source for their material. Yet the old legends were modified or toned down in accordance with euhemeristic views and accommodated to Biblical stories and Greek chronicles, especially that of Eusebius of Caesarea. It is quite possible that the change had already begun in pagan times, when Iranian and Semitic gods made their conquest of Armenia.
Hayk is the eponymous hero of the Armenians according to their national name, Hay, used among themselves. From the same name they have called their country Hayastan or the Kingdom (Ashkharh = Iran. Khshathra) of the Hays. Adjectives derived from Hayk describe both gigantic strength and great beauty. Gregory of Narek calls even the beauty of the Holy Virgin, Hayk-like! The word Hayk itself was often used in the sense of a "giant."
Some have tried to give an astronomical interpretation to this legend. Pointing out the fact that Hayk is also the Armenian name for the constellation Orion, they have maintained that the triangular arrangement of Hayk's army reflects the triangle which the star Adaher in Orion forms with the two dogstars. However, any attempt to establish a parallelism between the Giant Orion and Hayk as we know him, is doomed to failure, for beyond a few minor or general points of resemblance, the two heroes have nothing in common. Hayk seems to have been also the older Armenian name of the Zodiacal sign Libra, and of the planet Mars (3), while the cycle of Sirius was for the Armenians the cycle of Hayk.
The best explanation of Hayk's name and history seems to lie in the probable identity of Hayk (Hayik, "little Hay," just as Armenak means "little Armenius") with the Phrygian sky-god Hyas whom the Greeks called ues. Both the Greeks and the Assyrians (4) know him as an independent Thraco-Phrygian deity. The Assyrians call him the god of Moschi (5). In a period when everything Thracian and Phrygian was being assimilated by Dionysos or was sinking into insignificance before his triumphant march through the Thraco-Phrygian world, Hyas, from a tribal deity, became an epithet of this god of vegetation and of wine. For us Hyas is no one else but the Vayu of the Vedas and the Avesta. So in the legend of Hayk we probably have the story of the battle between an Indo-European weather-god and the Mesopotamian Bel. It is very much more natural to derive a national name like Hay from a national deity's name, according to the well-known analogies of Assur and Khaldi, than to interpret it as pati,"chief" (6).
He is undoubtedly another eponymous hero of the Armenian race. Armenius, father of Er, mentioned by Plato in his Republic (7), can be no other than this Armenak who, according to Moses of Chorene and the so-called Sebeos fragments, is the great-grandfather of Ara (Er). The final syllable is a diminutive, just as is the "k" in Hayk. Popular legend, which occupied itself a good deal with Hayk, seems to have neglected Armenak almost completely. It is quite possible that Armenak is the same as the Teutonic Irmin and the Vedic Aryaman, therefore originally a title of the sky-god. The many exploits ascribed to Aram, the father of Ara, may indeed, belong by right to Armenak (8). 
In this somewhat meagre and confused tale we have probably an Armenian god Aram or Armenius in war against the Syrian god Ba'al Shamin, some Median god or hero called Nychar (10), and a western Titan called Paiapis Chalia, who no doubt represents in a corrupt form the Urartian deity Khaldi with the Phrygian (?) title of Papaios. The legend about the Pontic war probably originated in the desire to explain how Armenians came to be found in Lesser Armenia, or it may be a distant and distorted echo of the Phrygo-Armenian struggles against the Hittite kingdoms of Asia Minor. 
Another version of the Ara story is to be found at the end of Plato's Republic (12) where he tells us that a certain Pamphylian hero called Er, son of Armenius, "happening on a time to die in battle, when the dead were on the tenth day  carried off, already corrupted, was taken up sound; and being carried home as he was about to be laid on the funeral pile, he revived, and being revived, he told what he saw of the other state." The long eschatological dissertation which follows is probably Thracian or Phrygian, as these peoples were especially noted for their speculations about the future life.
The Pamphylian Er's parentage, as well as the Armenian version of the same story, taken together, make it highly probable that we have here an Armenian (or Phrygian), rather than Pamphylian (13), myth, although by some queer chance it may have reached Greece from a Pamphylian source. Semiramis may be a popular or learned addition to the myth. But it is quite reasonable to assume that the original story represented the battle as caused by a disappointed woman or goddess. An essential element, preserved by Plato, is the report about life beyond the grave. The Armenian version reminds us strongly of that part of the Gilgamesh epic in which Ishtar appears in the forest of Cedars guarded by Khumbaba to allure Gilgamesh, a hero or demi-god, with attributes of a sun-god, into the role of Tammuz. We know how Gilgamesh refused her advances. Eabani, the companion of Gilgamesh, seems to be a first (primaeval) man who was turning his rugged face towards civilization through the love of a woman. He takes part in the wanderings of Gilgamesh, and fights with him against Ishtar and the heavenly bull sent by Anu to avenge the insulted goddess. Apparently wounded in this struggle Eabani dies. Thereupon Gilgamesh wanders to the world of the dead in search of the plant of life. On his return he meets with Eabani who has come back from the region of the dead to inform him of the condition of the departed and of the care with which the dead must be buried in order to make life in Aralu (Hades) bearable (14).
Possibly the original Ara story goes back to this Babylonian epic but fuses Gilgamesh and Eabani into one hero.  Sayce suggests that Ara may be the Eri of the Vannic inscriptions and the latter may have been a sun-god (15).
The legend was as follows: Tigranes (from Tigrish,"arrow," the old Iranian name of the Babylonian Nabu), King of Armenia, was a friend of Cyrus the Great. His immediate neighbor on the east, Azhdahak of Media, was in great fear of both these young rulers. One night in a dream, he saw himself in a strange land near a lofty ice-clad mountain (the Massis). A tall, fair-eyed, red-cheeked woman, clothed in purple and wrapped in an azure veil was sitting on the summit of the higher peak, caught with the pains of travail. Suddenly she gave birth to three full-grown sons, one of whom, bridling a lion, rode westward. The second sat on a zebra and rode northward. But the third one, bridling a dragon, marched against Azhdahak of Media and made an onslaught on the idols to which the old king (the dreamer himself) was offering sacrifice and incense. There ensued between the Armenian knight and Astyages a bloody fight with spears, which ended in the overthrow of Azhdahak. In the morning, warned by his Magi of a grave and imminent danger from Tigranes, Azhdahak decides to marry Tigranuhi, the sister of Tigranes, in  order to use her as an instrument in the destruction of her brother. His plan succeeds up to the point of disclosing his intentions to Tigranuhi. Alarmed by these she immediately puts her brother on his guard. Thereupon the indomitable Tigranes brings about an encounter with Azhdahak in which he plunges his triangular spear-head into the tyrant's bosom pulling out with it a part of his lungs (17). Tigranuhi had already managed to come to her brother even before the battle. After this signal victory, Tigranes compels Azhdahak's family to move to Armenia and settle around Massis. These are the children of the dragon, says the inveterate rationalizer, about whom the old songs tell fanciful stories, and Anush, the mother of dragons, is no one but the first queen of Azhdahak (18).
Found in Van usually explained as Semiramis in the form of a dove and possibly representing the Goddess Sharis, the Urartian Ishtar.
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